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Able Men

  The last thing I had expected to wake up to this morning was the sound of gunshots. Pop, pop. I kept my eyes shut. Pop. I rolled onto my back and folded the pillow around my ears, staring at the cracks in the plaster ceiling. Muffled gunshots penetrated the foam, sounding like far off fireworks. I couldn’t ignore it any longer.
  Getting up from the floor and looking out the second story window of this ancient farmhouse, I wanted to laugh. She ran around outside the house with her red flannel shirt all unbuttoned, showing her night shirt underneath, she wore a pair of gray sweatpants. Her boots were untied and nearly flopping off her feet with every stumbled step.
  The butt of her rifle was pressed firm to her shoulder.
  Panicked sheep ran wild in every direction, like they were running from wolves.
  Bullets flew in every direction.
  I couldn’t laugh.
  She was shooting her sheep.

. . .

 

  “An Analysis of the Forces Required to Drag Sheep over Various Surfaces.” This is the title of a report written by seven Australians in 2003, for their work, they were awarded with an LG Nobel Prize. They wrote that dragging sheep, ” is a difficult task, within the limits of only the most able men, and too physically demanding for almost all women.”

. . .

 

  I handed Jeremy a coil of orange extension cord. It was what was on hand.
  As I lifted a dead sheep’s head with my foot, Jeremy threw the cord beneath it. We tied it off tight and pulled.
  We are able men.

. . .

 

  “The optimum floor is a sloping surface constructed of wooden battens arranged parallel to the direction of drag.” So say the Australians.

. . .

 

  We pulled the carcass across a few hundred yards of dirt, ruts and clumps of grass and weeds. Away from the house.

 
  She was able to shoot her sheep, as they had escaped from their enclosure, and apparently this was easier than rounding them up the old fashioned way.
  We were able to drag them.

 

  Copyright © May 2008 Chris La Cour

 

Something Beautiful

  I have a goldfish that swims in right hand circles in a bowl that sits on a shelf in my room. There’s something wrong with its left eye. I think it’s probably blind in that eye. This goldfish is orange and white, with random black spots of different shapes and sizes on its body, more so on its right side than on its left. Its fins look too soft. Limp. They look tired and too weak to propel the rest of itself in these circles that it keeps swimming in. And that eye, that one eye. Always swollen and colored a cloudy bluish-white rather than black. Oh, and I can’t forget to tell you that my goldfish is full of blood and guts.

 

  A few years back, I saw a pair of young black Labrador retrievers running loose in the park near my house. The two dogs were playing. They were chasing one another. Play biting at each other as they rolled and wrestled in the grass. I didn’t watch them for long and I quickly forgot about them.

 

  This story is not about my goldfish nor even about these dogs. This is a story about my Golden Inca snail. My one friend has a dog. Another friend has a hamster. I have a goldfish and a snail. My friend’s dog, those black labs at the park and my other friend’s hamster and my goldfish too, are all the same. This story is about my snail.

 

  When you hear a car’s tires screeching on pavement it could mean anything. A hot rodder doing a burnout. Someone is taking a turn too fast. Maybe someone just realized that the light is red and their tires screech as the car just barely stops before the intersection. Could even be that a car did run the light and another driver has slammed on their brakes, just lucky enough to avoid a collision. Could also be that a tow truck has just hit a young black lab.
  One dog sat guarding the other. The two dogs could have been brother and sister. Maybe the sister was guarding her brother. She wouldn’t let anyone near him, not that anyone had to get anywhere near him. You could see from far enough away that he was dead. The dog’s guts in the road told you that.
  My father used to take me fishing with my uncle and at the end of the day I would watch them clean the trout that we had caught. The piles of guts they would drop at their feet looked just like what was there in the road, what had come from this dog.
  My goldfish, that dead dog and his sister, my friend’s dog and as much as I can assume, even my other friend’s hamster are all the same. They are all full of blood and guts.

 

  This snail wasn’t my pet in the same sense that my friend’s dog is his pet. His dog has chew toys that are stained with the smell of bad dog breath. He has to take his dog for walks. On those walks he has to carry a plastic grocery bag in his back pocket so he can use the bag to pick up his dogs shit from his neighbors’ yards. He has to feed his dog.
  My other friend keeps his hamster in a wire cage on his dresser. In the cage is a wheel that the hamster runs on. He too has to feed his pet and clean up after it or the mulch that is spread across the plastic tray floor will start to smell awful. Each night both of my friends say, “goodnight” to their pets. One wakes up to a dog sleeping at the foot of his bed, the other to his hamster in the cage, just three feet from his bed. Either way, every morning, from both of them it’s always, “good morning”, to their pets.

 

  My Golden Inca snail, my friend more than my pet, lived in my mothers garden. Not in my room. He had no toys. No wheel. I didn’t have to feed him or clean up after him. He didn’t sleep on my bed and there was no cage on my dresser. I would have to go outside to the garden to find my friend. Some days I couldn’t find him anywhere. Not as hard as I looked. On those days I would go back inside and worry. I would worry when I saw birds picking around in the garden. It would rain and from the window I would watch the garden turn to mud and then slowly flood. And I would worry.
  I once asked my mother if I could keep my snail in my room. I thought in the fish bowl. I could get rid of that sick fish. I could build a miniature garden inside the glass bowl. Dirt, stones and some grass. He would feel comfortable. He would feel at home. I could put the bowl on my dresser. I wouldn’t worry anymore. But she said, “no.”

 

  Spending time with my snail, I would sit in the dirt of the garden and marvel at the rich shades of yellow painted on his shell. I would imagine what he had hiding in that shell. In my mind I saw beautiful things. In my heart I worried that the truth might not be so beautiful. Maybe what was hiding in that shell was the same blood and guts as what had come from inside of that dead dog. Maybe not exactly the same, yellow or green instead of red. I thought that once spilled out into the dirt, the guts that fill his shell might at least smell the same as what had spilled from that dog. Those thoughts infuriated me. I used to hate myself for thinking my snail hid anything less than the greatest of secrets. The most beautiful things. To think my friend was ordinary, blood and guts. Sometimes I wanted to smash his shell apart to see just what he was hiding. To prove those thoughts wrong.

 

  I went out to the garden one afternoon and quickly found my friend. His shell was shining its usual bright golden glow in a warm bath of sunlight. I picked him up to say hello. The shell was empty. I brought the shell to my face. Closing one eye tight, like you do looking into a telescope, I pressed his shell to my open eye. Inside, nothing. I looked harder. Nothing beautiful. I squinted. Nothing special. I looked for something. Anything. There was nothing.
I dropped the shell as if it were all of a sudden on fire. My eyes, already welling up, drew to my scorched fingers. Closing my eyes, I bit my bottom lip and began to pace the garden. The garden was dead silent but for the huff and puff of my heated breath. I was relieved that my friend wasn’t the same blood and guts as those dogs, hamsters or even goldfish. But my friend was gone and I was angry. With both hands I lifted the biggest rock I could find above my head. Staring down to the empty shell at my feet, I was so mad that he was gone and instead of there being something beautiful in that shell, there was nothing.

  

  I moved the fishbowl from the shelf to the top of my dresser. Closer to my bed. My half blind goldfish still swam in circles. The bottom of the bowl was lined with bright blue stone. Off to one side stood a small sprout of green plastic seaweed. Next to that sat a beautiful golden yellow shell.

 

Copyright © April 2008 Chris La Cour

 

 

Gods Call

  She talks to the cool air that blankets and rides the waves and swells. Her feet, white as porcelain, slowly turning purple, and as wrinkled as a bathing child’s fingertips, struggle to keep their grip on the polished rocks. Her black dress is pressed flat to her thighs, her stomach and breasts by the wind coming off the water, it shows an orange aura, the glow of the sun setting behind her. Her arms hang at her sides, in each fist she holds a tight bunch of black silk. 

  “I’m sorry.” she says.
  “I did love him, really.” she tells the water. She tells the air.
  Her words turn to white smoke.

  He had that tattoo on his chest, Clara. She would lay on her side, next to him in bed, the both of them naked, and she would trace the lines with her finger. He would pull a lungs worth of smoke from his cigarette before twisting his arm around to offer her a drag. Distracted by the black letters, tracing the filigree flowing off the top of the letter C, framing the other letters, tracing the letters a, l, a; every time, she would nearly forget that it was poisoned. “No, thank you.” she would whisper as she flicked her finger away from the tail of that last letter a.

  Steam boiled out from her lungs as she sobbed.

  A raven at the rivers edge picks at something, some garbage in the mud. His head twitches and jerks. She recalls the seizures. The birds black feathers, this is the color of the blood in his urine, towards the end. The birds black eyes, the color of his veins, the day she came home and finally found him dead. In the bird she saw the bruises, the ones he would get just from sitting on something that wasn’t soft enough, the black and green bruises he got from resting his elbows on the table. The birds dirty, yellow, claw feet are the same color that he wore under his eyes and around his mouth. The same yellow color that the mortician couldn’t hide, no matter how much foundation he caked on.

  He looks good, they would say, as they hugged her, standing next to his casket or as they held both of her hands at her waist, in both of theirs.
  “It’s for the better.” his aunt had told her.
  “It was Gods call.” the pastor told her.
  “No, it wasn’t.” she told herself. She told the water. The air. The raven.

  The raven stretched his wings from his side and smacked at the air, furiously taking flight. It was the loudest thing.

 

  Copyright © April 2008 Chris La Cour 

Floating

                 

These Damn spots are driving me crazy. . .

 

Watching floaters waltz across my field of vision.

Changing pace and track at will,

on a path preconceived by no one.

With every spot born from the blurry edges of my sight,

I dream,

of endless flight.

Leading me to the future,

that bright white light.

And always, with anchors cast,

my heart’s dreams halt.

My mind drawn back to front and center.

My concentration refocused

on yet another.

Copyright © April 2008 Chris La Cour

Grooming

     As the blades snap together, your ears tune into a crack and two soft taps. It happens so fast, there’s no way you could’ve kept your eye on the tiny projectile.

     Lets see, the first tap, more than likely, was the product of it hitting the toilet, the second tap, it hitting the wall. Or the tub. Or the vanity.

     You kneel down and smooth over the small green rug with your open hand. Your fingers swim through a sea of wet fiber. It’s not here. Putting your nose to the floor, you study grayish-green grout lines cutting apart smooth white tiles. Here and there, you stop to dissect small knots of hair and grit with your one finger. No luck.

     This is like a fatal car wreck without a single witness. Under the light of the moon, with the blacktop reflecting the pink glow of road flares, an investigator will re-create the scene. Now, here, in the bathrooms fluorescent glow, diffused by this cloud of steam choking the air, you must conduct your own investigation.

     Your foot was here, like this. You held the clippers here, at this angle. So, the trajectory would then be. . . To the right. Towards the wall. It would have first hit the wall. 

    Then the toilet?

    Copyright © March 2008 Chris La Cour

 

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